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Wednesday, April 8, 2009

Ernest Krajniak from Chilton, Wisconsin in the United States has been charged with arson after a lit cigarette ignited gasoline soaked clothes, setting his apartment ablaze.

On Friday April 3, Krajniak, 47, cleaned his entire apartment with about five gallons of gasoline, wiping everything down with the soaked clothes. After he was finished, he piled the soaked clothes in the center of his bedroom, lit a cigarette and then threw what was left of the still lit cigarette, into the pile.

Krajniak never called the fire department and never pulled the alarm. Instead he yelled ‘fire’ a few times then walked to the police station where an ambulance took him to a local hospital for the treatment of minor burns. The fire department later arrived to put out the blaze and his apartment was extensively smoke damaged. 11 other apartments were also damaged, leaving the occupants without a place to stay for at least a week.

“I should have never used that,” said Krajniak during a court appearance on Monday. He admitted to knowing that gasoline was highly flammable. He was arrested and his bond has been set a US$2,500. Krajniak’s next court appearance is scheduled for Monday, April 13. According to WISinfo.com, Krajniak has no prior criminal record.

The careless smoking of cigarettes has been blamed for thousands of fires across the U.S. In January 2008, an unnamed elderly woman in Buffalo, New York was receiving oxygen for medical problems in her home and lit a cigarette and began to smoke it. The oxygen coming from her mask then facilitated the ignition of her clothing, setting her on fire.

In the U.S. in 2002, only 4% of all residential fires were reportedly caused by smoking materials. These fires, however, were responsible for 19% of residential fire fatalities and 9% of injuries. The fatality rate due to smoking is nearly four times higher than the overall residential fire rate; injuries are more than twice as likely. Forty percent of all smoking fires start in the bedroom or living room/family room; in 35% of these fires, bedding or upholstered furniture are the items first ignited.

Saturday, October 20, 2007

It has been announced that Saudi Arabia is planning to open an official embassy in Finland, to signify continuing improvement in relations between the two countries.

Teemu Tanner, director general of Africa and the Middle East at the Ministry for Foreign Affairs of Finland, said to reporters concerning Finnish President Tarja Halonen’s first visit to Saudi Arabia on Sunday, “One indication of this visit is that you (Saudi Arabia) are planning to open an embassy here in Helsinki,” adding that “We regard this as extremely important for relations,” and that it is only a matter of time before the facility is made available.

Another act set to strengthen diplomatic relations is the planned visit of a trade delegation headed by Saudi Minister of Trade and Commerce Hashim Yamani, which will arrive in Finland next month.

“Our relationship is no longer in relation to trade,” said Tanner. “More broadly, we will discuss regional and global issues. It is extremely important for us to know Saudi Arabia’s views on Iraq, Iran, but also issues such as Somalia… One objective of the visit is to convey notes on international questions, as we enter a very interesting phase in the Middle East peace process,” adding that the presidential visit is a relational “landmark” that will “crystallize” Finland’s image to Saudi Arabia.

Despite the comment that the international cooperation is no longer entirely a trade issue, he did point out Saudi Arabia’s important role in the Finnish economy as one of the five largest importers of Finnish products. Finland’s main exports to Saudi Arabia are mobile phones, paper, wood and machinery, while Saudi Arabia exports large quantities of raw materials for use in manufacturing plastics. The total volume if this trade is estimated to be worth over €840 million.

Other topics on the table for the two nations to discuss during Halonen’s visit include energy, the role of science, environmental issues and combating terrorism, as well as other global issues. Tanner has also suggested tourism may be a future area of attention, with a possibility of package holidays for Finnish tourists being organized to Saudi Arabia.

Finland and Saudi Arabia have been officially involved in diplomatic relations since 1969. Finland has maintained an embassy in Saudi Arabia since 1974.

Tuesday, June 23, 2020

On Saturday evening in Forbury Gardens in Reading, Berkshire, UK shortly before 19:00 local time (1800 UTC), a mass stabbing killed three people and injured three others. A 25-year-old man was arrested by Thames Valley Police on suspicion of murder. Reports named him on Sunday as Reading resident and Libyan national Khairi Saadallah. Police also announced on Sunday morning they were treating it as a terrorist incident.

The Daily Telegraph cited a security source that mental health may be a factor in the attack. Witnesses, according to The Telegraph, said a man approached and attacked a group of middle-aged men, using a knife. Thames Valley Police soon arrived and detained the man, later identified as Khairi Saadallah. Saadallah came to the UK a number of years ago, after the Libyan Civil War. A counter terror police raid removed various items from Saadallah’s flat, amongst them reportedly a circular saw.

The head of the UK’s counter terror police, Neil Basu, on Sunday said the police found nothing inconsistent with the attacker acting alone. He also said there is no suggestion of specific increased threat towards people in crowded places from terrorists. A Black Lives Matter protest had taken place in Forbury Gardens a few hours before the attack, but Basu also stated this was not connected to the crime.

Tuesday, December 20, 2005

Calling it a “fight for dignity on the job, a concept foreign to the MTA,” Transport Workers Union Local 100 (TWU) President Roger Toussaint officially declared that its union members are now on strike, extending the job action, and bringing the subways and buses of New York City to a halt.

MTA President Peter Kalikow and Toussaint took part in last night’s negotiations, where the final offer to the TWU was made. The MTA offered a three-year contract with a 3 percent, 4 percent, and 3.5 percent pay-raise schedule and a retirement age that would stay at 55, but new employees would have to pay more in contributions to the pension and health care plan.

Toussaint had said earlier today to striking Jamaica and Triboro bus operators that he could not accept the MTA’s offer because it did not address disciplinary actions that the MTA could levy against their employees. Jamaica and Triboro busses began striking 00:01 (05:01) Monday morning. Both bus lines are privately owned and operated, but their employees are TWU members and will become part of the MTA’s bus service in 2006.

The TWU had asked the MTA to give its last, best offer by 21:00 Monday (02:00 Tuesday UTC) so that executives would be able to evaluate the terms in time to avert the Tuesday morning strike deadline. But when Toussaint and Kalikow parted last night at 23:00, any hope of preventing the incredible turned into awaiting the inevitable strike declaration.

At his 03:02 press conference, Toussaint pointed the finger squarely on the MTA.

“With a US$1B surplus, the contract between the MTA and TWU Local 100 should have been a no-brainier. Sadly that has not been the case. From the beginning, the MTA approached these negotiations in bad faith, demanding arbitration before even trying to resolve the contract. Hours before contract expiration, the MTA got rid of its US$1B surplus — a surplus which we believe continues to be understated by some US$100M. The MTA knew that reducing health and pension standards at the authority would be unacceptable to our union. They knew there was no good economic reason for their hard line on this issue – not with a US$1B surplus.”

Then, the words that no one in New York City (except maybe public school students whose classes were delayed by two hours) wanted to hear passed from Toussaint’s lips: “The Local 100 Executive Board has voted overwhelmingly to extend strike action to all MTA properties effective immediately.”

The strike was “on.”

Mayor Bloomberg lashed out at the TWU with his harshest language yet on the strike. “For their own selfish reasons, the TWU has decided that their demands are more important than the law, the City and the people they serve. This is not only an affront to the concept of public service; it is a cowardly attempt by Roger Toussaint and the TWU to bring the City to its knees to create leverage for their own bargaining position.” His Honor concluded, “We cannot give the TWU the satisfaction of causing the havoc they desperately seek to create.”

Mayor Bloomberg estimated the cost of the strike at US$400 million per day.

This morning the Mayor crossed the Brooklyn Bridge into Manhattan, alongside his fellow commuters-turned-pedestrians. But the bitter wind coming from the East River only doubled the frigid mood of the already freezing New Yorkers: TWU members were picketing on the Brooklyn entrance to the bridge.

Wednesday, February 6, 2008

David S. Touretzky, prominent free speech activist and critic of Scientology, discussed his opinions on the recent Internet backlash against the Church of Scientology in an interview with former Scientologist and Wikinews reporter Nicholas Turnbull. The recent conflict on the Internet between critics of Scientology and the Church has been spurred on in declarations by a nebulous Internet entity using the name Anonymous that the Church of Scientology “will be destroyed”. Anonymous has directed recent protests at Scientology centres across the world, which have attracted significant numbers of individuals supporting the cause. In recent e-mail correspondence with Wikinews, a representative of the Church of Scientology declared that the Church considers the activities of Anonymous to be illegal, and that Anonymous “will be handled and stopped”.

Touretzky, a research professor in artificial intelligence and computational neuroscience at Carnegie Mellon University, has been a prominent critic of the Church of Scientology since mid-1995, and has been protesting against Scientology vociferously since then; he has also run websites that publish material that Scientology wishes to keep suppressed from the public eye, such as extracts from Scientology’s formerly-confidential Operating Thetan (OT) materials. Touretzky views the actions of the Church of Scientology as being “a threat to free speech”, and has endured harassment by the Church of Scientology for his activities.

The Church of Scientology continues to suffer damage to its public reputation through increased exposure on the Internet and vocal protests by Scientology critics such as Prof. Touretzky. A recent event that focused intense attention on Scientology’s totalitarian attitude was the leak of an internal Church of Scientology propaganda video to the Internet video sharing site YouTube, in which celebrity Scientologist Tom Cruise spoke heavily in Scientology’s jargon and stated that that “we [Scientology] are the authorities” on resolving the difficulties of humanity. The declaration of war by Anonymous followed shortly after this leak, in the form of a video posted to the Internet.

The ongoing dispute, cast by some as Scientology versus the Internet, brought Scientology terms such as “SP” (Suppressive Person, an enemy of Scientology) and “KSW” (Keeping Scientology Working) into general usage by non-Scientologists from the late 1990s onwards; increased attention has been drawn to Scientology by the release of the Cruise video in addition to media coverage. This focus has caused an even greater propagation of these terms across the outside world, as Touretzky comments in the interview.

Wikinews asked Prof. Touretzky about the impact that the activities of Anonymous will have on Scientology, the public relations effect of the Tom Cruise video, the recent departure of individuals from the Church of Scientology’s executive management, the strategies that Anonymous will employ and Touretzky’s experiences of picketing the Church.

Wednesday, February 20, 2008

The Indonesian province of Aceh was struck by a 7.5 magnitude earthquake at 3:08 PM local time (8:08 AM GMT). The epicentre was 319 km (198 miles) off the coast of Sumatra, close to the island of Simeulue. At least three people have been killed and several buildings have been damaged. The same region was hit by an earthquake in 2004, that triggered a tsunami. In 2004 over 170,000 people were killed or missing.

According to local citizens the quake lasted about one minute and was felt in Banda Aceh, the province capital, approximately 300 km (185 mls) away, also in Meulaboh and Gunung Sitoli on Nias island. The U.S. Geological Survey, that reported the earthquake, says that no local tsunami warning has been issued.

Minutes after the quake hit, the Pacific Tsunami Warning Center issued a warning that parts of the Sumatran coast were at risk of a possible tsunami but was later cancelled. Japan’s meteorological agency said India’s Andaman and Nicobar island chain was also at risk.

Indonesia’s meteorology and geophysics agency recorded at least two aftershocks about 20 minutes after the first tremors, one measuring 5.5 and the other 5.3 on the Richter scale. Budi Waluyo, an official at the National Meteorology and Geophysics Agency said the quake occurred about 30 kilometres beneath the ground. The US Geological Survey measured the quake at 7.6 on the Richter scale. “The quake has no tsunami potential because it’s happening under the ground, not the sea,” Waluyo said.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.